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All notation examples were transnotated by the author, except where credited. iii TABLE OF CONTENTS Abstract......................................................................................................................................Preface....................................................................................................................................... iii Table of Contents ...................................................................................................................List of Figures........................................................................................................................

viii Glossary.................................................................................................................................... xii Acknowledgements............................................................................................................Dedication ...........................................................................................................................xxxii 1 INTRODUCTION .................................................................................................................1 1.1 Prelude ......................................................................................................................................

233 5.1.1 Discovering an Individual Voice through Free Improvisation................................235 5.1.2 Bluegrass to Redgrass: Reclaiming the Role of the Performer/Composer........240 5.2 Developing Craft Skills through Exploring New Music.........................................

245 5.2.1 Revitalization of Traditional Techniques in a New Music Context .......................245 5.2.2 Assimilating Performance Aesthetics of East Asian Zithers ....................................251 5.3 Macrocosm through Microcosm ..................................................................................

191 4.2.1 The Blossoming of a Variety of Compositions................................................................191 4.2.2 Influence of Minoru Miki’s Works .......................................................................................200 4.2.3 Quest for Virtuosity in Zheng Composition.....................................................................206 4.2.4 Exploring Western New Music on the Zheng .................................................................214 4.3 Striving for Virtuosity and Creating a New Legacy ................................................